“You’ll soon get used to it,” Joan told her. “The great thing is not to be afraid of one’s fate, whatever it is; but just to do one’s best.” It was rather like talking to a child. CHAPTER VI!

“Yes,” answered Joan. “He was a landscape painter, wasn’t he?” “And you must not despair,” she continued; “because in the end it will seem to you that you have failed. It is the fallen that win the victories.”

“Quick,” said the doctor. He pushed her in front of him, and she almost fell down a flight of mud-covered steps that led into the earth. She found herself in a long, low gallery, lighted by a dim oil lamp, suspended from the blackened roof. A shelf ran along one side of it, covered with straw. Three men lay there. The straw was soaked with their blood. They had been brought in the night before by the stretcher-bearers. A young surgeon was rearranging their splints and bandages, and redressing their wounds. They would lie there for another hour or so, and then start for their twenty kilometre drive over shell-ridden roads to one or another of the great hospitals at the base. While she was there, two more cases were brought in. The doctor gave but a glance at the first one and then made a sign; and the bearers passed on with him to the further end of the gallery. He seemed to understand, for he gave a low, despairing cry and the tears sprang to his eyes. He was but a boy. The other had a foot torn off. One of the orderlies gave him two round pieces of wood to hold in his hands while the young surgeon cut away the hanging flesh and bound up the stump. Joan tried to enthuse; but the words came haltingly. She suggested to Joan a candle that some wind had suddenly blown out. The paint and powder had been obvious, but at least it had given her the mask of youth. She looked old and withered. The life seemed to have gone out of her. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.